Shakespeare depicts Feste as a well-drawn, sensible, shrewd, adaptable character. His character is utilized in Twelfth Night to assess the actions and feelings of the others by keeping himself at a range from the other characters and not becoming emotionally associated with any of the plots at the beginning of the play. Feste discreetly communicates his messages and ideas through his tunes to the audience about the other characters in the play.
He exposes in his tunes that Orsino is “roaming” after the wrong love in his pursuit of Olivia.
Feste somewhat ends up being the narrator of the play by discussing actions that occur within the play and foreshadowing occasions. When Feste first participates in the play he has been missing from Olivia’s court a very long time and must now return into her favour. He does not want to listen to what Maria states to him and using his fast wit manages to answer her. Feste demonstrates his fast wit and ability to juggle words efficiently when he states: Let her hang me; he that is well awaited this world requires to fear no colours.
This remark exposes that Feste does not fear Maria’s threats and also reveals his intelligence and his philosophical side for he would rather be hanged than be in a war, “needs fear no colours”. Shakespeare depicts him as a sensible man although the Elizabethan audience might consider him a coward and unpatriotic for not wishing to protect and protect his nation. Feste brings the preconception of stupidity, which previous fools in literature have actually caused upon all fools however Shakespeare created Feste as a smart fool who would alter the audience’s understanding of the role of fools.
Shakespeare displays Feste’s ability at handling words as an example of the distinctions in between Feste and other fools as typically fools are thought about to be ignorant buffoons who exist to amuse using jokes and handling objects to produce amusement. However, Feste shows his insight about the people surrounding him rather while likewise providing his ideas about which ruinous condition he would rather be in, “lots of a great hanging prevents a bad marriage”.
Here he hints that a bad marriage might happen which death is better than to be dissatisfied in life. Feste is not faithful to his girlfriend like Malvolio is to Olivia and Viola is to Orsino for he wanders through the various courts constantly looking for favour and money. In Orsino’s court he sings of love and how it can eliminate, “I am slain by a fair cruel maid” male’s recklessness and guy’s sly nature while in Olivia’s court he sings to Sir Toby and Sir Andrew he sings more joyful and careless songs however still assessing the characters’ actions.
When he sings the kind of tune Sir Toby selected he includes on to it when he sees they like it and makes the tune pertinent to what is occurring and sings about what he has actually viewed as an outsider viewing the scenes that are taking place. Even when he utilizes music he acts in his capability as the fool for your home and is secretly phrasing the guidance he would offer to particular other characters in the play should he be permitted to tell them. This illustrates his perceptiveness and ability to adjust to any circumstance no matter what he is expected to do.
Feste’s perceptiveness is used as a gadget to bear in mind what has actually happened in Twelfth Night without becoming too associated with the play and not seeing the bigger viewpoint. Sir Andrew is exposed as even more ignorant than Sir Toby has currently represented him as Feste uses his abilities at juggling words to make up brand-new words, which seem real and genuine to Sir Andrew. Feste utilizes his function as the fool to poke fun at Sir Andrew and sets him up for further humiliation in the future because Sir Andrew shops the words Feste utilizes in his memory and later uses them in any context to attempt and persuade everybody of his intelligence.
As Twelfth Night is a play everything about foolery and based upon the Feast of Fools it is fitting that Feste ought to tease the lesser characters of the play, which somehow make the audience make fun of them too. Feste is the centre of amusement and joviality in every situation, providing the entertainment for the others and he does this in many ways. Sir Toby takes pleasure in Feste teasing Sir Andrew and Feste understands this so he does it to please Sir Toby and Sir Andrew being the individual he is does not realise this and pays Feste also.
Feste demonstrates his shrewd in handling to get cash out of two people for various reasons. In Act 4 Feste exposes he is ready to enter into the play and take an active role. The others have fooled Malvolio agrees to dress up as Sir Topas, a curate. He completely enjoys his new role as he is making Malvolio madder and without Malvolio in the way he is more crucial to his girlfriend, Olivia. In his role as Sir Topas he is more enticing to Sir Toby as Sir Toby dislikes Malvolio for his puritan-like methods.
Feste’s disguise convinces Malvolio that Feste is a genuine curate and Feste undermines his own character hesitating to participate and always being himself he is now pretending to be something he is not although he is adapting to this new role he is placing on a various face, which he has never done prior to. Feste reveals one of his flaws through his camouflage when he does not understand where is a safe location to stop teasing Malvolio and handling words. In this method he discusses the leading with his function and requires someone to keep him in check however has nobody to do this for him.
Feste’s last song appears to be an ideal ending to Twelfth Night. While this tune consists of many ridiculous words and expressions created to make people laugh, it does have a major side to it that suggest that love and marriage are not the only things in life which there is not constantly a happy ending. The song goes through the life process from a “little tiny kid” and reverts all the way back around once again to when the “world started”. It appears to be about Feste’s life in particular and his choice to end up being a fool.
He is stating that becoming a fool was his only method to survive because he might not have prospered any other way. Shakespeare uses Feste as somebody to show and a way to end the play fittingly. In Twelfth Night, the fools are the ones that control the comedy and humour in the play. They help in the make believe game and mess around with characters who “avert reality or rather realize a dream”. This makes Feste a pivotal character in Twelfth Night as without him numerous other things might have occurred and a lot less humour and jokes would have happened.