Their conversation is light-hearted; conversation of weather (“Gon na rain tonight” and “That stunning. Not a cloud.” KEEP IN MIND: here you might disclose into pitiful fallacy; the weather condition in the Keller’s yard is brilliant and warm now– indicating the health of the familial bonds– however Keller understands that it will drizzle later on. Similarly, note how “The wind should’ve got [Larry’s tree] last night”. Miller establishes a style of exploring tone with the weather condition. The breaking of Larry’s tree, and an abrupt gust of wind, represents the beginnings of a storm (both literally, within the household, and metaphorically).
1. Unique characterisation– FOREBODING: Keller, Industrialism and Lack of knowledge: In this passage, Keller is exposed by Miller to be mostly ignorant of the outside world. He does not “check out the news part [of the newspaper] any more”– “It’s more fascinating in the desire advertisements.” He also declares “there was no such thing [as a forester] in my day”– although this outright falsehood appears entertaining to the audience, it is the exact same lack of knowledge of the world that underlies his crime.
Miller also presents Keller’s key idea of “service”; he checks out the desire ads not because he’s “trying to buy something”, but due to the fact that he’s “interested to see what individuals want”. Keller’s frame of mind is rooted in the notion of supply and need, to name a few principles of capitalist economics. Nevertheless, his ignorance is again demonstrated in his amazement at “all the sort of business goin’ on”. He wonders” [somebody] would desire with 2 Newfoundland pets?”, or “with an old dictionary?”, revealing that he can not right away recognise any way of life which doesn’t comply with his ideals. In other words, Keller can appreciate the fundamental principles of commercialism, such as supply and need, but stops working to associate them to other “organisations”. It is the exact same defect which allows him to cherish his own biological boys however fail in his responsibility to the rest of the world, particularly the 21 pilots.
Note that, even when new occupations are revealed to him, Keller wonders whether you can “make a living out of it”. In this, Miller also hints towards his restricted financial outlook; revenue makes everything worthwhile. However, in the opening of the play, the audience simply sees his surprise at the presence of book collectors as an example of Keller’s “wonder in numerous commonly understood things”. As he acknowledges himself; “you take a look at a page like this, you recognize how oblivious you are.” Therefore Miller maintains an unwinded, conversational atmosphere however keeps the audience uninformed of the important advancements in character being illustrated.
Secret and more foreboding: Miller uses a turnaround of remarkable paradox to advance intrigue in the last part of the passage. The audience is introduced to circumstance in which the characters refer to each other within an unknown context; the audience is led to Larry is at least not present and, considered that he is referred to in the previous tense (“he ‘d been twenty-seven this month”) and Keller says “I’m surprised you remember his birthday”, is probably dead.
The most haunting example of Keller’s speech is “How can you make him a horoscope? That’s for the future, ain’t it?”– indicating that Larry does not have a future. Note likewise the recommendation to Kate’s reaction etc.. Conclusion: General atmosphere is a conversational one; pleasantries. However, crucial character traits are checked out (Keller’s ignorance and capitalist interests) and plot points are introduced too, such as Larry’s assumed death and Kate’s reaction to it.