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Character Analysis of Guy Montag in Fahrenheit 451

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Character Analysis of Guy Montag in Fahrenheit 451

The book’s lead character, Guy Montag, takes pride in his work with the fire department. A third-generation firefighter, Montag fits the stereotyped function, with his “black hair, black brows … intense face, and … blue-steel shaved however unshaved look.” Montag takes excellent delight in his work and acts as a design of twenty-four century professionalism. Reeking of cinders and ash, he enjoys dressing in his uniform, playing the role of a symphony conductor as he directs the bass nozzle towards prohibited books, and smelling the kerosene that raises the temperature to the needed 451 degrees Fahrenheit-the temperature level at which book paper fires up.

IN his 8 years of employment, Montag even took part the firefighters’s bestial sport of letting little animals loose and betting on which ones the Mechanical Hound would wipe out first. In the last two years, nevertheless, a growing discontent has actually grown in Montag, a “fireman turned sour” who can not yet name the reason for his emptiness and disaffection. He characterizes his agitated mind as “loaded with bits and pieces,” and he requires sedatives to sleep. His hands, more attuned to his inner working than his mindful mind, seem to organize his behavior.

Daily, he returns to a loveless, indicating less marriage signified by his cold bedroom furnished with twin beds. Drawn to the lights and discussion of the McClellan family next door, he requires himself to stay at home, yet he views them through the French windows. Through his relationship with Clarisse McClellan, Montag views the cruelty of society rather than the delights of nature in which he hardly ever partakes. When Clarisse teases him about not being in love, he experiences an epiphany and sinks into anguish that defines most of the novel.

He suffers regret for hiding books behind the hall ventilator grille and for stopping working to live his partner, whom he can not remember conference for the first time. But despite the fact that he harbors no affectation for Mildred, Montag shudders at the impersonal, mechanized treatment that restores his dying wife to health. Montag’s moroseness reaches a critical point after he witnesses the burning of an old lady, who willingly welcomes death when the firemen concern burn her books.

His psychosomatic illness, a considerable mix of chills and fever, fails to deceive his company, who quickly recognizes the cause of Montag’s malaise– an alarmingly broadened perceptiveness in a world that prizes a dulled consciousness. Tempted by books, Montag forces Mildred to join him in reading. His appetite for humanistic knowledge drives him to Professor Faber, the one informed individual that he can trust to teach him. Following the burning of the old female, his company’s first human victim, Montag deals with an agonizing spiritual issue of love and hate for his task.

As a fireman, he is marked by the phoenix symbol, but paradoxically, he is hindered from increasing like the fabled bird since he lacks the knowledge to change intellectual growth into deeds. After he contacts Faber, however, Montag begins a transformation that represents his renewal as the phoenix of a brand-new generation. A duality develops, the blend of himself and Faber, his alter ego. With Faber’s aid, Montag weathers the change and returns to his task to confront Captain Beatty, his nemesis.

Beatty classifies Montag’s problem as an intense romanticism actualized by his contact with Clarisse. Drawn back and forth in between Faber’s words from the listening device in his ear and the negative sneers and gibes of Beatty, who cites lines from so many works of literature that he dazzles his foe, Montag moves blindly to the fire engine when an alarm sounds. Beatty, who rarely drives, takes the wheel and moves the fire engine towards the next target– Montag’s house. When Beatty prepares to jail him, Montag realizes that he can not contain his loathing for a sadistic, escapist society.

For a little while considering the repercussions of his act, he fires up Beatty and enjoys him burn. As Montag races far from the lurid scene, he for a short while suffers a wave of remorse however rapidly concludes that Beatty maneuvered him into the killing. Resourceful and courageous, Montag outwits the Mechanical Hound, however impaired by a numbed leg, he is almost run over by a cars and truck loaded with murderous teenage joy riders. With Faber’s help, he welcomes his budding idealism and hopes for escaping to a much better life, one in which dissent and conversation redeem humankind from its dismal dark age.

Baptized to a brand-new life by his plunge into the river and worn Faber’s clothes, Montage flees the harsh society, which is fated to suffer a short, obliterating attack. The cataclysm requires him deal with down onto the earth, where he experiences a disjointed remembrances of his own courtship 10 years previously. Just as his leg recuperates its sensation, Montag’s mankind returns. After Granger helps him accept the damage of the city and the possible annihilation of Mildred, Montag eagerly anticipates a time when individuals and books can once again thrive.

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