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Influence of Nature in Fahrenheit 451

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Impact of Nature in Fahrenheit 451

Ecocriticism: the study between literature and the environment.

Numerous books link nature to characters and themes in the book. In Fahrenheit 451, Ray Bradbury links natural images to the characters in society. One such line in the book formally specifies this connection. As an idea to Montag, Faber says to “search for it in nature and look for it in yourself” (Bradbury 82). In this quote, Faber means to say that joy is found in not only one’s self, however in nature as well.

This statement formed a connection between the two subjects. Since the connection between man and nature is a key part to the novel, an ecocritical approach to the book is obvious. Natural images from Fahrenheit 451 permits readers to nab one’s relationship with the natural world. An ecocritical approach to Fahrenheit 451 offers readers the opportunity to discover a relationship between human properties and nature, which can for that reason be perceived as a theme or sign in the book.

One such example of meaning that is discovered in the book is when Montag is explaining his other half Mildred’s face after he recognized she had simply taken pills: “2 moonstones searched for at him in the light of his little hand-held fire; two pale moonstones buried in a creek of clear water over which the life of the world ran, not touching them … Her face resembled a snow-covered island upon which rain may fall, however it felt no rain; over which clouds might pass their moving shadows, but she fell no shadow” (13 ). Mildred’s face is drawn through natural images to explain her internal character.

In this description, nature acts as symbol telling that Mildred is completely separated from the real world. The creek of clear water does not reach Mildred’s eyes reveals that Mildred is disconnected from society. To support the disconnection even more, Mildred does not feel rain or shadows which shows she can not see what is true and natural in her life. Bradbury once again uses importance and images to catch his character’s psychological development. In this scenario, Montag is getting away down the river when the text says, “He felt his heel bump land, touch pebbles and rocks, scrape sand. The river had moved him towards the shore” (141 ).

Montag is not just physically moved along and banged up, but is likewise in the psychological process of finally comprehending his relationship with the natural world. As he travels down the river, Montag understands what Beatty, his employer, stated about joy since he discovered it in nature and in himself. His function in life was not for others, however his own self. The truth that this epiphany occurs just as Montag is being pressed to coast represents that Montag is getting away society. The meaning of the river stresses that Montag is now getting in touch with himself along with the natural world around him.

An ecocritical viewpoint accents Montag’s and society’s challenged with getting analysis on life and nature. An ecocritical approach is certainly exposing in Fahrenheit 451, because of nature images. Nature imagery opens an entrance to link nature and humanity. The social relationship between one self and nature are essentially one existence and can not be acknowledged separately. When Faber responds in saying, “look for it in nature and look for it in yourself,” it’s possible that Bradbury is saying that one’s self and nature are basically the same principle (82 ).

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