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Language and Imagery in Wuthering Heights

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Language and Images in Wuthering Heights

!.?.!? In Wuthering Heights, Emily Bronte uses Language and images to develop a very stark contrast in between Heathcliff, and Edgar Linton. This contrast is not just illustrated in how these characters act, however likewise in their appearance, typical setting and the language that is utilized to explain them. Emily Bronte first utilizes the raw basics of the characters Heathcliff and Edgar Linton to right away let us understand that these characters are polar opposites. She does this with the imagery of both characters.

In chapter 7, Heathcliff explains Edgar as having light skin and reasonable hair, whereas in the exact same chapter it is pointed out that Heathcliff has dark hair and dark skin. This use of binary opposites recommends to the reader currently, that Heathcliff and Edgar are complete revers, right down to their core. This usage of Binary revers and imagery is also used to where Heathcliff and Edgar live, Edgar living in Thrushcross Grange, the light, big home, and Heathcliff residing in the dark, gloomy and sinister home of Wuthering Heights. This images of the 2 homes shows the characters of the two men.

Language is also utilized efficiently and in abundance by Bronte to highlight the two characters differences. Bronte uses contrasting Lexical fields relating to heaven and hell to not just show the contrast in character between Heathcliff and Edgar, however to suggest that one is great and one is evil. For example Heathcliff is continuously being described as or being described with the use of words which relate to hell. His eyes are described as ‘devils spies’ and’ dark fiends’ by Nelly, and paired with his appearance of being dark skinned and haired, he is carefully related to the devil, who represents evil.

Edgar on the other hand, is described with a lexical field of a more incredible nature. His eyes are referred to as being little Angels and his functions are constantly called angelic and soft, which suggests he is similar to an angel, which is naturally great. By utilizing contrasting lexical fields for each character, Bronte uses selective language to recommend that these 2 are not just revers, but they are Excellent and Evil. Heathcliff is, when being broached, surrounded by ominous sounding words which aren’t necessarily speaking about his character clearly, however they assist to produce a dark and sinister atmosphere around his character.

An example of this remains in chapter 7 where Nelly is speaking about Heathcliff she utilizes words such as ‘lurk’ and ‘vicious’ and this is what produces this dark environment. Bronte does the same with Edgar, as when he is talking or being talked about, words such as ‘gently’ and ‘stunning’ are used and this assists to project a calm and soft atmosphere around Edgar, which is completely various to the atmosphere Heathcliff brings with him, and thus increases the contrast that the reader sees in between Heathcliff and Edgar.

Catherine brings our attention to the contrast between the 2 in chapter 9 where she says ‘(Heathcliff’s soul) and Linton’s is as different as a moonbeam from lightning, or frost from fire’ This use of binary revers again suggests with the use of the words fire and lightning that Heathcliff is violent and damaging and burns, which once again associates him with hell, and the use of Frost and moonbeam to explain Edgars soul to recommend he is soft, light, cool and calm enhances the already plain contrast in between the two and again suggests them not just to be different, however to be total opposites.

The truth that to many readers it would be obvious regarding which out of either Heathcliff and Edgar is the fire and lightning demonstrates how Bronte has actually been slotting words into the text as well as the individual characters, to make the reader partner Heathcliff with hell, and Edgar with Paradise. In conclusion, Bronte uses particular lexical fields which are binary opposites to each other and uses them to Heathcliff and Linton to worsen the contrast seen between the 2.

Bronte also uses images of their physical appearance and living place, coupled with continuous subtle language options to make the reader partner Heathcliff with Hell, and Edgar with Paradise, and this makes us not only see the 2 as contrasting characters, but bad and excellent, and at the entirely various ends of the spectrum.

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