The Light in the Dark
In the middle of darkness, there is light. Light is frequently used as a sign for purity and divinity. The evil of humanity frequently exposes the inner darkness that lies within people. Those who do not let their humanity take control of are the light that strays away from the darkness. This ends up being clear in Lord of the Flies. An aircraft crash leaves a group of young boys stranded on an island. As time passes they become progressively more barbaric and develop into savages, other than for one boy called Simon. In the last four paragraphs of the chapter entitled “A View to Death” in Lord of the Flies, Golding uses an abundance of light imagery in his descriptions of the sky and water, of the creatures, and of Simon himself in order to suggest the apotheosis of Simon.
The light imagery utilized in the sky and water glorified Simon. Golding stresses the skies description to reveal Simon’s character. He talks about how “the sky was spread” with the “incredible lamp of stars”. The clearing of the sky to show the bright stars implies Simon’s significance. He is only one who acknowledges the true beasts on the island. Golding utilizes the “lamp of stars” to represent Simon’s apotheosis because gods are often looked upon as brilliant and holy. He does this to highlight Simon’s innate goodness. Golding uses the water that surrounds Simon’s body to convey a holy image. The “streak of phosphorescence” and “the great tide flowed”. The phosphorescence offers more light to the scene while the tide represents the cleansing of Simon from his sins to prepare him for ascension. Golding symbolizes the water as a separation of Simon and the savages on the island. Simon is calm and organized unlike them. The author reveals the shift of the sky to contrast the turmoil of the killing. As the “rain stopped” the “clouds drifted away”. The drifting of the clouds clears up the sky, suggesting calm and serenity. This represents the transition from darkness the savages ushered upon the island to Simon’s relaxing ascension. This shift puts focus on Simon’s goodness versus the opposing evilness. Golding utilizes the planets above to represent Simon’s ascension. “Over the dark curve of the world the sun and moon were pulling”. The earth’s gravity pulls the moon and the Sun’s gravity pulls the Earth. This highlights Simon’s body being pulled to a greater location, particularly heaven. The environment, especially the sky and water, represented by light imagery suggests Simon’s innocence.
The creatures and Simon’s body also symbolize his apotheosis. Golding illustrates the intense creatures surround Simon to glorify his body. The “creatures busied themselves round his head”. The animals communicate an image of a halo. Halos typically surround godly or informed beings. Golding utilizes the image of a halo to demonstrate how Simon has qualities of enlightened beings as he is the only pure and holy one on the island. The author likewise uses Simon’s body to parallel him to Christ. His body “laid gathered on the pale beach”. Golding does not define how he laid but could be interpreted similarly to Jesus’s death. Showing the similar qualities between the 2, Simon represents the Christ figure in the story. He discovers food for the young boys and died while trying to spread the fact. Golding then enhances Simon’s body to highlight his significance. Nature dressed Simon’s “coarse hair with brightness” and the “line of his cheek silvered”. The silver and brightness add more radiance to Simon. Nature can often be harsh and unyielding as portrayed in the other parts of the book; but in this scene, nature seems to be accepting Simon. This presents Simon as an unique person given that he is the only character to present natural goodness. Golding also portrays Simon’s body vanishing out to the sea to reveal the loss of goodness. Simon’s “dead body left towards the ocean blue”. As Simon’s body floats away, so does the light on the island. This is substantial since, without the light, the boys will rapidly plunge the island into darkness. Through the image of the animals and the portrayal of his body, Simon is produced as a holy and euphoric character.
Golding explains numerous elements of the environment such as the sky, the water, the creatures, and Simon’s body using light imagery while suggesting Simon’s apotheosis. The purity and goodness of humanity can easily be taken over. While the kids lose their humankind, Simon remains the same. Simon is deified repeatedly throughout the chapter, revealing that he stands out from the others due to his excellent qualities.