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Misery and Liberty in The Story of an Hour

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Misery and Liberty in The Story of an Hour

The factor behind why almost fifty percent of marital relationships result in a brisk divorce is one that has actually captivated numerous for many years. “The Story of an Hour” seeks to address that. This work of fiction by Kate Chopin, is about a young widow, Mrs. Mallard, who in the beginning laments the death of her spouse, however then starts to anticipate a brand-new life full of liberty awaiting her. After her hubby is exposed to actually live, she undergoes enormous shock and passes away quickly. Chopin’s “Story of an Hour” argues that the restrictions accompanying marriage cause a dog’s life, through the use of irony and natural imagery.

Chopin utilizes irony to compare the extreme limitations that accompany marital relationship, to the liberty that results from being spouseless. After receiving the news of her spouse, Mrs. Mallard first mourns his death, however then begins to weep of happiness after imagining the long “precession of years” that would belong to her. One would not anticipate a woman to experience such a “monstrous joy,” after the death of her spouse. Chopin’s usage of situational paradox explains Mrs. Mallard’s unforeseen happiness to brighten the misery she feels while being under the limitations of marriage.

As Mrs. Mallard locks herself in her room, she begins to predict her new life as she watches out through an “open window.” The “open window” is symbolic of the new liberty that accompanies death of her spouse. Her vision of the future is then juxtaposed to the torment she need to have felt during her marriage, this being paradoxical since she is literally trapping herself in her space. Finally, when Mr. Mallard is discovered to be alive, Mrs. Mallard dies suddenly of shock; the doctors declare she dies from “the joy that kills.” Because the audience is aware that Mrs.

Mallard is nowhere near happiness from seeing her partner alive, that is significant irony. By examining Mrs. Mallard’s response to her partner’s death, it is explained that the limitations of marital relationship eventually lead to an extremely unhappy life. Chopin’s usage of paradox compares the expectations of euphoria in marital relationship to the anguish felt in reality. Chopin also utilizes natural imagery to illustrate the happiness that arises from being spouseless. When Mrs. Mallard locks herself in her room, she notifications the patches of “blue sky” as white clouds are “stacked above one another.

The “blue” color of the sky signifies peace and well being, while the white clouds being “piled above one another,” conjure up a relaxing mood. The natural images lights up Mrs. Mallard’s mirth after she looses her husband. Later on, watching out through the open window, Mrs. Mallard observes numerous sparrows “twittering in the eaves.” Natural images of the spring season establishes, as it is normally connected with the idea of renewal. The sparrows’ twittering is symbolic of her new, unrestrained liberty, which has actually entered her life as a result of being spouseless. As Mrs.

Mallard continues to watch out through the window, she feels a sense of liberty concerned her as “it” creeps out of the sky, and it reaches her through the “sounds, the aromas,” and “the color” that fills the air. The concept of something coming “out of the sky” is associated with the presence of some sort of a greater power taking control. The sense of liberty Mrs. Mallard experiences is considered inescapable since of this “higher power” taking control. The torment Mrs. Mallard feels when she is wed is brightened by her escape its limitations, through Chopin’s use of images.

Chopin makes a point that a sense of freedom coming after the release of marriage can not be prevented Chopin shows that the limitations accompanying marital relationship lead to a dog’s life, through her usage of irony and natural imagery. Marriage is a life time commitment that should not be taken lightly. Despite the fact that one might think they have actually selected the right partner, despite the fact that they might still declare to deeply love after decades have actually gone by, there is still a sense of being “caught” by marriage.

Although Mrs. Mallard never disliked her partner, even mentioning as soon as that she enjoyed him, the sense of liberty and happiness she felt was unavoidable. One possible response to why nearly fifty percent of marriages lead to separated may not be solely based upon a person’s defective partner choosing skills, however it may come more as result of one attempting to leave towards a higher sense of liberty and far from all the constraints felt in marital relationship, likewise referred to as human nature.

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