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Mistaken Identity for Twelfth Night

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Mistaken Identity for Twelfth Night

Incorrect Identity William Shakespeare, in his well-known comedy Twelfth Night, produces a plot that revolves around mistaken identity and deception. Mistaken identity, along with disguises, rules the play and impacts the lives of numerous of the characters. Shakespeare’s methods involve mistaken identity to bring humor, mystery, and complication to the play. Many characters in Twelfth Night presume disguises, starting with Viola who is disguised as a eunuch, Maria who composes a letter to Malvolio as Olivia, and after that the mix-up in between Sebastian and Viola are exposed.

The circumstances of mistaken identity relate to many disguises in the play. Viola, who places on male attire, begins to have everyone think that she is a man. By dressing up in male garments, she wants to be taken as a eunuch. Viola assumes the name Cesario. While talking with the captain, Viola begins to recognize that Olivia likewise lost her sibling and is grieving simply as Viola is for her bro. Viola decides to go to Duke Orsino’s palace to be able to reach Olivia, the Duke’s love.

Viola is going to utilize the Duke to attempt to talk to Olivia about their disastrous events with their brothers’ deaths. Viola is going to try to be a servant for Duke Orsino which is the reason for disguising herself as a eunuch. In talking with the captain, he says to her, “Be you his eunuch, and your mute I’ll be. When my tongue blabs, then let mine eyes not see” (Shakespeare 13). Through Viola’s modification in identity, this circumstance produces a dispute through the characters. Viola falls in love with Orsino but can not tell him since he believes she is a man.

While the love of Orsion, Olivia, falls incredibly in love with Viola. Olivia is now in love with a lady, and Orsino typically says on Cesario’s appeal, suggesting that he is brought in to Viola even before her male disguise is eliminated. Olivia’s head servant Malvolio, a narcisstic character believes that Olivia is in love with him. His self obsession leads him to these conclusions together with the deceptive from Maria and other servants. The conspirators understand of Malvolio and his self love and are not keen on him due to the fact that of their previous experiences.

Maria and the conspirators decide to misinform Malvolio into thinking that Olivia loves him. Maria decides to lead him on by composing a letter, but indicates to be from Olivia. This love letter is meant to instruct Malvolio to do actions that Olivia despises. Maria is able to mislead Malvolio because she has the very same print and seal as Olivia. Shakespeare has the ability to deceive the characters and produce many representations of them. The incorrect identity in this play is connected to the frequency of disguises in the play as Viola’s male clothing causes her being misinterpreted for her brother Sebastian.

Sebastian is mistaken for Viola (or rather, Cesario) by Sir Andrew and Sir Toby, and then by Olivia, who rapidly weds him. On the other hand, Antonio errors Viola for Sebastian and believes that his buddy has actually betrayed him when Viola claims not to understand him. While Viola remains in a sword battle against Sir Andrew, Antonio is trying to be a devoted friend by replacing Viola, who he thinks is Sebastian. Antonio is not liked by Orsino’s court, so he is then apprehended and eliminated. While this is occurring, Antonio asks Viola for his purse back, which he offers to Sebastian.

Viola ends up being incredibly confused and claimed not having his bag and being a friend of his. Antonio takes this as deception and believes that Sebastian, who is really Viola, is a coward. These cases of incorrect identity, common in Shakespeare’s comedies, produce the twisted situation that can be fixed only when Viola and Sebastian appear together, helping everybody to understand what has happened. In Twelfth Night, Shakespeare uses mistaken identity by disguising Viola as a eunuch, having Malvolio think Olivia composed the letter, and Viola and Sebastian being each other.

These cases of mistaken identity, common in Shakespeare’s funnies, develop many tangled circumstances that can be resolved in the end of the play with Sebastian and Viola being exposed and Fabian putting in location all the confusion. Shakespeare’s composing usages mystery, confusion and humor. All these incorrect identities are all for the humor of the play. His imagination is shown through the a number of disguises and representations of the characters. This play shows that if you are true to yourself and others, you will live an easier, more sincere life. “No mask like open truth to cover lies, regarding go naked is the best disguise” (Congreve 291).

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