The “Death” of Mr. Mallard in The Story of an Hour
In “The Story of an Hour,” by Kate Chopin, flexibility and self-reliance are forbidden joys that can only be imagined secretly. The story has to do with a lady who is told that her husband is dead. She is filled with joy, because of the awareness of self-reliance from her spouse. It is later exposed that the hubby is not dead. Upon realizing this, the female passes away. In “The Story of an Hour,” Kate Chopin alternates storytellers, applies repetition, and uses meaning throughout the story offering it a distinct feeling for the reader.
In “The Story of an Hour,” he preliminary paragraphs, all of which are exposition, supply the reader with the characters in the story, and the setting, however its supreme objective is to lead the reader far from the modification in Mrs. Mallard. The exposition and the objective narrator give the reader expectations that they will read about a dreadful tragedy that occur in the life of Mrs. Mallard whose health is uncertain. The exposition makes it so that the reader has no concept that Mrs. Mallard’s reaction to the news of her spouse’s death is going to be anything besides typical.
Chopin successfully alters the unbiased narrator and exposition to an omniscient narrator who sees into the character’s mind. In “The Story of an Hour,” Kate Chopin informs a narrative that occur in one hour. The story is quick, but structure of the plot is remarkable. Chopin utilizes repetition to highlight essential points, such as repeating the words free and open. The story includes a series of short dense paragraphs to stress to the reader that this is one hour in Mrs. Mallard’s life and as suggested by Selina Jamil “for one hour of feeling, Louise does glance meaning and satisfaction” Jamil 1).
The rising action begins with the description of Mrs. Mallard; “young, reasonable, calm face, whose lines bespoke repression and even a certain strength” (198 ). It’s appears that she is a female with control of her emotion “a dull stare in her eyes” (198) and “not a look of reflection, however rather suggested a suspension of smart thought” (198 ). The indication is the story that Mrs. Mallard has a heart condition becomes part of the increasing action too. The news of Mr. Mallard death falls in the rising action category and is the crisis classification as well.
Chopin makes the reader believe if Mrs. Mallard is capable to manage the news of her husband’s death. The stress is increased when Chopin points out that Mrs. Mallard feels something awful is going to attempt to overcome her. She does not understand what it is at first, “it was too subtle and elusive to call” (198 ), and she feels it “creeping out of the sky”( 198) heading towards her. As noted by Selina S. Jamil in “Emotions in the “Story of an Hour,” Chopin shows then, so effective is feeling that it makes it possible for clarity of understanding in Louise” (Jamil 1), Mrs.
Mallard recognizes that she was abandoned. Now she recognizes the thing coming to “possess her” (298 ). It is liberty and she whispers a word over and over “Free, free, totally free!” (198 ). After the increasing action we get in the climax, where we see Mrs. Mallard goes through a total modification. Chopin changes her character from an unassertive female to a complimentary confident and possibly selfish female. Chopin depicts Mrs. Mallard as an unhappy married woman, a bird trapped in a cage. Mrs. Mallard looks outside the window she sees the birds who are truly totally free. Chopin builds up the climax more when Mrs.
Mallard is offered flexibility, she “opened and spread her arms out” (198) as if she was going to fly out the window to liberty. Chopin pays a lot of attention to two areas of Louise’s experience: the pressure placed upon her physical system by the different shocks– the surprise of her spouse’s death, the sorrow that this news brings, the awareness that her life is now utterly changed, and the understanding that this change is rather perhaps for the better– that sweep over her, and the stress upon her spiritual outlook as she struggles to comprehend the obvious liberty opened to her (Cunningham).
By this time, Chopin make the reader believe if Mrs. Mallard has actually gone too far. Is Mrs. Mallard too delighted that her husband is dead, should anyone be that pleased about someone’s death Kate Chopin makes the reader’s compassion turn versus Mrs. Mallard as she is seen in another light. Heading towards completion of the climax, Mrs. Mallard declines love, and disregard her worried sibling at the door. The climax of the story concerns an end as Mrs. Mallard “was consuming in a really elixir of life through that open window” (199 ).
Leading up to the falling action, Mrs. Mallard had “a feverish victory in her eyes” (199) as she walks out the room like “a goddess of Success” (199 ). The falling action in the story is revealed with Mr. Mallard walking in the front door alive and well, for “He had actually been far from the scene of the mishap (199 ). At this moment of the story the reader awaits for the freshly freed Mrs. Mallard’s response to her other half’s abrupt life, which leads up to the resolution of the story. Kate Chopin snatches Mrs.
Mallard’s newly discovered freedom by revealing that Mr. Mallard is not dead, and destroying Mrs. Mallard. According to Lawrence L. Berkove’s essay “Deadly Self-Assertion,” in Kate Chopin’s “The Story of an Hour” offered her discontentment with the best that life has to use her and her unrealistic expectations of outright freedom, therefore, there is no other choice for Louise other than death. The conclusion of the story follows realistically upon Louise’s specs of her deepest desires (Berkove).
She can never ever acquire what she most desires. With such an abrupt ending the other characters were never ever aware of Mrs. Mallard’s true feeling. “It is apparent that there is rather an inconsistency in between the way Mrs. Mallard and Mr. Mallard feel about each other, but all the mystery of the distinction is on Louise’s side” (Berkove). The physicians said Mrs. Mallard died “of delight that eliminates” (199 ). The delight of seeing her partner alive, triggering her to die of a heart attack.
In truth Mrs. Mallard was afflicted with a heart disease and numerous cases for her death can be made. It can also be suggested that she passed away of a heart attack because her pleasure for the flexibility she had wished for was removed. When Mr. Mallard was dead Mrs. Mallard felt more alive, and when it turned out Mr. Mallard lived Mrs. Mallard died. Either way it was “of delight that kills; joy for her hubby’s life or joy for her flexibility” (199 ).