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The Things They Carried and Surrealism

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The Things They Brought and Surrealism

The Things They Carried and Surrealism is conventionally specified as something which is ‘Unreal’. Although this textbook meaning may shed a little light on the word’s true meaning, I can guarantee you that Webster’s is just scratching the surface … Partially since the meaning of surreal is subjective. Each and every human being on earth perceives life and the world around them differently. This suggests that essentially, the meaning of surrealism, when applied to the nature of humankind, has practically boundless limitless significance.

To somebody, else, writing this paper might be something surreal. Nevertheless this is normally not the case. For Tim O’brien, and many, numerous others, the experience of war was surreal. The surreal brings a lot more weight than we offer it credit for. Surrealism can expose facts, offer brand-new point of views, and even alter individuals. Among the more surreal experiences touched upon by O’Brien is the death of Ted Lavender: “Right then, Ted Lavender was shot in the head on his method back from peeing.

He lay with his mouth open. The teeth were broken. There was a swollen black swelling under his left eye. The cheekbone was gone. Oh shit, Rat Kiley stated, the person’s dead. The guy’s dead, he kept stating, which seemed profound- The man’s dead, I imply truly.” (Pg. 12) The most surreal element of Lavender’s death to the rest of the army was its suddenness, which we also saw with the death of Curt Lemon. One minute your friend, your pal, a person who’s almost your brother, is alive and well.

Next, he’s face down on the concrete with a bullet in his head, and he’ll never speak or move, or anything … Ever once again. Experiences of this nature are never, or, rather, ought to never ever, prevail location. So in its own way, each death is a journey into the surreal. Another intriguing, yet effective method O’Brien reveals the non-reality of war’s facts is the fact that a battle circumstance can reveal who somebody is, right down to their core. For instance, Dave Jensen is a truly honourable guy. This is a glimmering truth revealed by the cruelty of war.

When Lee Strunk lost his leg, Jensen was 100% prepared to honour their pact: “In Late August they made a pact that if among them were to get totally screwed up- A wheelchair injury- The other guy would immediately find a method to end it.” However when Strunk stated “Jesus guy, do not eliminate me!” after losing his leg to a surprise mortar round, Jensen had the ability to appreciate his option. To add even more to this truth, and the character-revealing nature war evokes, Jensen also appeared oddly eliminated when he learnt that Strunk had “Died someplace in Chu Lai. This shows that despite the fact that Jensen might respect Strunk’s choice, he was troubled by the fact that Strunk might be regretting keeping his life in lieu of his handicap. Overall, war and its ugliness can be much more surreal than the most abstract Dali paintings or the most potent dosage of LSD in its own chilling way. War brings a new type of surreal, one called scary. One we can never get rid of or forget. In way, that’s another surreal aspect. The truth that war always leaves a trace … In the land and in the people.

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