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Twelfth Night Minor Characters

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Twelfth Night Minor Characters

Twelfth Night or What You Will——————————– -Go over the role of the explicitly comic characters– Sir Toby, Sir Andrew, Feste, and Maria. What function do they serve in the play? How is every one various from the others? What effect does it have on your gratitude for their role in the play? Twelfth Night, by William Shakespeare, explores themes of love and incorrect identity through an amusing and comical story. Some supporting characters– Sir Toby Belch, Sir Andrew Aguecheek, Feste, and Maria– appear at first to be explicitly funny characters, added to the story only for their additions to the amusing scenes and amusing discussion of the play. Their scheming and fooling embodies the Twelfth Night season, a topsy-turvy celebration of trouble. Nevertheless, these 4 characters play a much higher function. They make much of the confusion that produces the humour of the play. They drive the sub-plots of the play, and sometimes the main plot. They are all a fool in their own different methods, and it is this distinction that makes every one much better valued as an individually

crucial character. Sir Toby Belch is the first of the comic characters introduced. He is Olivia’s uncle, and a jolly alcoholic who embodies the Twelfth Night season of topsy-turvy chaos.” Confine [myself] I’ll restrict myself no finer than I am.”(I. iii. 9) Sir Toby refuses to change his attitude or behaviour. He mores than happy merely enjoying. He acts as an opposite to Malvolio; bringing an air of enjoyable and laughter to Olivia’s court. Unlike almost every other character in the play, Sir Toby takes part in no melancholy love-seeking. He is in love with Maria, and ultimately marries her, but does not

take part in the suffering of other characters. He does not change his behaviour to try and attract love, but remains the exact same character from starting to end. This jolly mindset implies that Sir Toby’s role is much better appreciated as a Twelfth Night function. The keeping of his spirit throughout the play embodies the Twelfth Night season, and makes the tricks used Malvolio seem more spirited than they might really be. Sir Andrew Aguecheek is nearly the total opposite of his buddy Sir Toby. While Sir Toby is short, fat and jolly, Sir Andrew is tall, thin, and sober. He is the stereotypical fool of the play. He thinks himself to be amusing, athletic, and handsome, and when others translucent this, as Maria does in her description;”he’s a fool, he’s a great quarreller; and but that he hath the gift of a coward to ease the gust he hath in quarrelling, “(I. iii. 26-30) he informs himself they must be incorrect. He is led on by Sir Toby, blindly following his plans to try and acquire Olivia’s love. His unknowing foolishness brings a contrast to the play between the moderate fooling of other characters and his true foolery. His function is mainly that of a pawn of other characters, like Sir Toby and Maria, and he is used to press

the plot onwards by following their plans. None of these plans bode well for Sir Andrew, and his unhappy scenario at the end of the play, lacking money and love, brings a stress of sadness to the foolery of the story. His quote, “I was adored as soon as too,”(II. iii,164 )indicates that he may be hiding some sadness in his past, also. This contrasts with the happy endings that all other characters except Malvolio and Antonio reach. It makes his mistreatment appear more major, after its treatment as light-hearted trickery through the remainder of the story. His real foolery compared to other characters lets the audience

much better contrast what makes a genuine fool. He drives the plot forwards sometimes, but without the oblivious absurdity of his character, the audience could not as well see who the real fools of Twelfth Night are. Maria completes the trio of tricksters. As the one who conceives the plot against Malvolio, Maria serves as the practically behind-the-scenes director of the trickery. She chooses to utilize other characters to do her work for her.”I will plant you 2, and let the fool make a 3rd, where [Malvolio] shall discover the letter.

(II. iii. 156-7) She makes her greatest prepare for the other three, eliminating herself from the actual occasion. Maria is the one who comes up with all the clever strategies, and while she’s there to see them enacted, she doesn’t participate in the action. Her character has a level of tact and subtlety that the other, more boisterous comic characters do not have. She still embodies the Twelfth Night season, with her trickery, however in a various way to the others. Maria is seen by audiences as a cleverer schemer due to her taking herself out of the direct action. In spite of being a professional fool, Feste is the least absurd of the 4 funny characters

. His status as a fool permits him to speak freely about the other characters under the guise of absurdity, and his comments are amongst the best in the play.”The more fool, [Olivia], to grieve for your brother’s soul, being in heaven.”(I. v. 3-4)He questions why Olivia is mourning her dead brother, when she is specific that he is at peace in heaven. Feste does not take part in the silly behaviour of the other trio. He comments on what has taken place, and often even forecasts what is going to happen. When he exists for the action, he views without impacting. Feste has a lack of psychological participation that no other character displays, all the more unusual in a play so concentrated on love. This makes his role as an analyst all the more appreciated by the audience, as he offers an unbiased view of the story and its characters. The differing personalities and roles of the four apparently explicitly comic characters make each characters contributions to the plot more interesting. The 4 different kinds of foolishness shown by Sir Toby Belch, Sir Andrew Aguecheek, Maria, and Feste, all cause different repercussions for the characters. As a group, they embody the chaotic Twelfth Night festival, however they likewise all play different roles in driving the story forwards. Their distinctions permit them to all be appreciated as private and essential characters. 995 words

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